Chapter Fifty- Two:
What different skills have you learned about film making?
I have learned how to create an atmosphere within a set and make it look professional through a camera and on the screen. I have learned that film making is made up of two sections. Filming and Editing. After these sections a film is produced and distributed. I have learned the importance of naturalism and how to make sense of a story line by matching shots in editing. I have learned techniques such as cutting and cropping shots and audio
What have you learned from
the prelim task which you then used in the shoot? i.e. camera shot
composition/ importance of framing etc.
In the prelim shoot I learned how to take shots from different angles and widths, these two techniques were important on giving the character status and showing different emotions. Framing is important as some shots will show the setting which is an important element the audience will need to know. I learned the importance of the 180 degree rule and how to check continuity.
What did you learn from the
editing process? How have you used and
demonstrated continuity through
·
match
on action
I used match on action shots to show the man putting a girl into the car. This came in handy if the original shot wasn't long enough or not usable. It also built tension as the cut to the close up on her feet because we couldn't see who was in the car.
·
the
use of a shot reverse shot
I used a shot reverse shot on Evangeline's eye so the viewer can see what she is looking at and especially her reaction to what she is seeing. I also incorporated an EYE LINE MATCH into the shot reverse shot.
·
the
180 degree rule
This was very important to film this correctly as the 180 degree rule deciphers how the audience view the action. If the 180 degree rule is broken the actors will have appeared to have swapped sides. This will make the film look naff and confused the audience.
Do you feel that you have
become an accomplished film maker as a result?
I used match on action shots to show the man putting a girl into the car. This came in handy if the original shot wasn't long enough or not usable. It also built tension as the cut to the close up on her feet because we couldn't see who was in the car.
I used a shot reverse shot on Evangeline's eye so the viewer can see what she is looking at and especially her reaction to what she is seeing. I also incorporated an EYE LINE MATCH into the shot reverse shot.
This was very important to film this correctly as the 180 degree rule deciphers how the audience view the action. If the 180 degree rule is broken the actors will have appeared to have swapped sides. This will make the film look naff and confused the audience.
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